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But with acts selling out shows around the globe night after night, it was obvious that something bigger was brewing.

To the rock establishment and corporate music business, hip hop was little more than a fad. A month later, RUN DMC, along with Kurtis Blow, the Fat Boys, and Whodini, started touring massive arenas across the U.S. It was December of 1984 and they found nothing but love on both sides of the English Channel. Following the success of those shows, I left LA for NYC and started working for Russell Simmons, who appointed me road manager for RUN DMC just as they were embarking on a European tour. One of my very first shows included RUN DMC, and they absolutely KILLED IT. My policy was to provide a stage for the music that promoters were ignoring: punk-rock, reggae, and rap. On a whim, I rented an abandoned hall and started booking shows. I’d graduated from college and was working at a bank in Los Angeles. I first engaged with Hip Hop music about ten years after its birth, when the culture was still a kid. I won’t pretend I was present when Hip Hop began. The messages of resilience unified a community of people and were the backdrop of hip hop’s beginnings. Down with Dope,' 'I Will Survive' and 'Lord, Show Me the Way!’”. My dear friend & first client Kurtis Blow once said “On one side of the street, big buildings would be burning down…while kids on the other side would be putting up graffiti messages like, 'Up with Hope. It should be noted that early Hip Hop stood against the violence and drug culture that pervaded the time. So Hip Hop recaptured that connection, beginning with the pioneers who brought back the evocative BOOM! BAP! rhythms of James Brown's drummer, Clyde Stubblefield. Specifically, they felt that the relatable storytelling and emotional truths shared in soul and blues had been lost in the pop-centric sounds of Disco. Hip Hop was also rebellion against several norms of the time, including the overwhelming popularity of disco, which many in the community felt had unjustly overshadowed the recent groundbreaking works of James Brown and other soul impresarios from the 60’s. Starting with folks like DJ Kool Herc, DJ Hollywood, and Grandmaster Flash, the grassroots movement created a new culture of music, art, and dance available to the 5 boroughs of the city and beyond. A kid with little means and hard work could transform their turntable into a powerful instrument of expression (also illustrating hip hop’s technical innovation). The Bronx DJ’s and MC’s rose to the task and the city loved them for it. The youth needed an outlet - a unifying sound, a beat, a voice to call their own. Following the fallout from the construction of the Cross Bronx Expressway in 1972 that demolished a lot of the neighborhood, times were particularly tough. It all started in the NYC Bronx, more commonly known as the Boogie Down Bronx. “Yes, yes y'all! And it don't stop!” Today we acknowledge and celebrate a cultural revolution that's spanned 44 years and counting.

To dig deeper into the significance of this moment and culture from a personal perspective, we invited the project’s executive consultant and partner, YouTube’s Global Head of Music Lyor Cohen (and former head of Def Jam Records), to share his thoughts: What’s more, the whole experience is narrated by Hip Hop icon Fab 5 Freddy, former host of “Yo! MTV Raps.” Today, we celebrate the 44th anniversary of that very moment with a first-of-its-kind Doodle featuring a custom logo graphic by famed graffiti artist Cey Adams, interactive turntables on which users can mix samples from legendary tracks, and a serving of Hip Hop history - with an emphasis on its founding pioneers. During these “breaks” his friend Coke La Rock hyped up the crowd with a microphone. Instead of playing the songs in full, he played only their instrumental sections, or “breaks” - sections where he noticed the crowd went wild. During his set, he decided to do something different. Dj ganesh & vicky(954585246 - Non stop mixe 2011 ( mp3 download Non stop mixe 2011 ( Stop Mixe2011), Bhojpurimaati.On August 11, 1973, an 18-year-old, Jamaican-American DJ who went by the name of Kool Herc threw a back-to-school jam at 1520 Sedgwick Avenue in the Bronx, New York.